by Zakiya Dalila Harris, 2021
When Nella is first hired at the prestigious publishing company Wagner Books, she’s the only person of color on the editorial staff. She’s inspired by the black author/editor pairing of Diana Gordon and Kendra Rae Phillips who, through Wagner, put out Nella’s favorite novel in the 80s and shined a light on black creative work. Tired of being the only person interested in being educated on the importance of diversity, she’s intrigued when she gets a whiff of cocoa butter floating through the office. It can only mean one thing: there’s another black person on the premises. This appears in the form of Hazel, a newly hired editorial assistant whose long locs are the source of the scent. Nella is enthusiastic about the idea of having another person on her side, but it’s not long before she starts getting bizarre anonymous notes telling her to leave the company. Does one of the editors have something nefarious in mind for her, or is Hazel set on becoming the only black girl at Wagner? That’s the question at the heart of this so-called suspenseful thriller that has gotten a lot of buzz that, ultimately, fails in nearly every endeavor.